place both feet in front of a chair or place on a footstool, or sit side by side. For example, Ming-style furniture has a strong sense of aesthetics of the scholar-bureaucrat in terms of its shape. For example, the seats and armrests of some chairs are relatively tall and wide.
This is a time when the demands of the feudal ruling class are threatening to show that their majesty is not open. The symmetry-type overall structure of the Ming-style armchair, the extension of the introverted chair ring and the armrest, the Penggu style of the tambourine,
and the overall shape of the instep and leg-foot of the introvert horseshoe have all reflected the humanity to a certain extent. The bondage. 2. After the Ming Dynasty, Chinese furniture has many symbolic and metaphorical symbols, such as two-headed,
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